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Ernie5

No cholesterol.

+3673


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.

Comments

Dark Star
Feb. 22, 1969
Dream Bowl

Transitive diamonds of . . . nightfall. Still a monumental version of Dark Star. I re-visit this one often. Likee now!
Playin' In The Band
Aug. 20, 1972
San Jose Civic Auditorium

Maybe it's the mix, but this Playin' has very much its own drowsy, dreamy constitution. This is fab for Garcia/Lesh fanatics. Not only b/c they're plenty audible, but they're in toddlin' form. Top sleeve stuff.
Brown Eyed Women
May 21, 1977
Lakeland Civic Center

Not a thing to complain about here. Smooth, dynamic, and confident. When the group gets quiet, you know they're completely in charge. Well, I do anyway.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

grendel - you might be right re: Cornell vs. other shows from that time. I only mention Cornell in particular b/c it's taking such a beating here. I just don't really understand the Cornell backlash; it's an amazing show (and I think the Scarlet is fantastic, even if it slightly pales in comparison w/possibly the best Fire ever). I first heard it in the mid-'80s and it was not, that I was aware, a "famous" show, but it stood out for me immediately. I soon realized that Spring 77 just had the goods. I still think Cornell is a jewel in the crown, but I think 5/19/77 is just as much a gem. And 5/17. And 2/26. And ...
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Killer, but better than Cornell? Not to these ears. A really good version, but the backlash bias against Cornell is puzzling to me. The Cornell version of this baby sounds tighter, smoother, and more dynamically interesting to me than this iteration. Not just Cornell, most Spring 77 versions. Here, the drums are already getting a bit flubby (a major difference for me between '76-early '77 and later is the increasing lack of nuance and swing in the drums). Garcia's guitar break in Cornell is lighter, more fluid, and has a beautiful elasticity missing here, although this break has more of a peak. And Godchaux on electric piano in this song just doesn't make it for me.