headyversion

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Ernie5

No cholesterol.

+3568


Submissions

6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
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Comments

The Music Never Stopped
Feb. 3, 1978
Dane County Coliseum

One of many exhibits in the Matter of Garcia's Place in the Pantheon.
The Wheel
Feb. 26, 1977
Swing Auditorium

Garcia is regal here.
Wharf Rat
May 11, 1977
St. Paul Civic Center Arena

What a fucking entry! No surprise such an elegant Wharf Rat follows a deep burgundy Uncle John's Band.
Uncle John's Band
May 11, 1977
St. Paul Civic Center Arena

One of my favorite periods for this great song. A hard song to pull off with smooth joie de vivre live, but May 1977? No problem. It's largely in Garcia's majestic narrative voice. And I love a good Garcia soliloquy - again, especially Spring of 77. The lonesome sound of the Travis Bean in a big ol' hall. Nominally called Space, it floats through the murky Civic Center atmosphere. Just something else unique the GD bring to the city tourism returns.
He's Gone
Sept. 9, 1972
Hollywood Palladium

A solid 72 He's Gone is special to me. One of Garcia-Hunter's real masterpieces.
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