headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

4
The Other One
July 14, 1970
Euphoria Ballroom

ATOMIC! Garcia's subversive wah work only makes the area less safe for the public.
4
Beat it on Down The Line
Nov. 14, 1971
Texas Christian University

Searing version - groovy false start, then Garcia soars like an acrobat. Plug in!
2
The Other One
Feb. 6, 1969
Kiel Auditorium

CRUSH. Hard to believe they brought this intensity and dynamic precision all the time then, but they did! Ace!
7
Bertha
March 31, 1973
War Memorial

Unknown Genre - iTunes. Kreutzmann drives this hovercraft - as he seems to in all of the great Berthas of this time. Look out for the guitars.
1
China Cat Sunflower -> I Know You Rider
Sept. 29, 1971
Practice Studio

Have always loved the San Venetia tapes - almost like an x-ray of the GD. You can so hear the guitar architecture. So tempted to make that one word.
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Comments

The Other One
April 17, 1969
Washington U.

April '69 Other One. Bracing, a little violent. It isn't long before they're speaking in tongues. Garcia is all endless ideas thrown into the air like chalk out of LeBron's hands pre-game.
Me and My Uncle
Aug. 14, 1971
Berkeley Community Theater

Lesh sounds he's playing a living room set -- such a woody, rich, lush, mediciney electric bass sound. The whole band just cooks on this one. Should have more votes.
Mister Charlie
Aug. 14, 1971
Berkeley Community Theater

High energy. Pig in great form. Garcia down and dirty with the Les Paul. Winner!
Uncle John's Band
Aug. 14, 1971
Berkeley Community Theater

These two Berkeley shows are amazing. This is one of the most joyous, cleanest UJBs I've heard. Fab stuff!
The Other One
April 5, 1971
Manhattan Center

Classic less-is-more Dead: basically a rock quartet at this time, but Pig is delivering the groceries with his organ comps. Lots of delicious open space filled selectively, thoughtfully - with grace & attitude. Garcia's in the middle of becoming his next great version, but he's very much in close contact with his former psychedelic bad self. And still in a more or less Gibson world. Kreutzmann points towards the rhythmic freedom and dynamic flexibility of the next few years. Cheers to that.
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