headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
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Comments

The Other One
April 17, 1969
Washington U.

April '69 Other One. Bracing, a little violent. It isn't long before they're speaking in tongues. Garcia is all endless ideas thrown into the air like chalk out of LeBron's hands pre-game.
Me and My Uncle
Aug. 14, 1971
Berkeley Community Theater

Lesh sounds he's playing a living room set -- such a woody, rich, lush, mediciney electric bass sound. The whole band just cooks on this one. Should have more votes.
Mister Charlie
Aug. 14, 1971
Berkeley Community Theater

High energy. Pig in great form. Garcia down and dirty with the Les Paul. Winner!
Uncle John's Band
Aug. 14, 1971
Berkeley Community Theater

These two Berkeley shows are amazing. This is one of the most joyous, cleanest UJBs I've heard. Fab stuff!
The Other One
April 5, 1971
Manhattan Center

Classic less-is-more Dead: basically a rock quartet at this time, but Pig is delivering the groceries with his organ comps. Lots of delicious open space filled selectively, thoughtfully - with grace & attitude. Garcia's in the middle of becoming his next great version, but he's very much in close contact with his former psychedelic bad self. And still in a more or less Gibson world. Kreutzmann points towards the rhythmic freedom and dynamic flexibility of the next few years. Cheers to that.
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