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Ernie5

No cholesterol.

+3673


Submissions

1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
12
Sugaree
June 18, 1976
Capitol Theatre

As much as I love May 77 Sugarees, Spring 76 is where it's at for me. Subtlety, separation, and Garcia's whispery, silver-dipped guitar breaks.
6
Candyman
April 19, 1978
Veterans Memorial Auditorium

1978: Prime weather for Candyman. This performance, like many from then, highlights the bleak world of the narrator. Garcia's break: spidery.
4
Tennessee Jed
Oct. 29, 1971
Allen Theatre

Bubbly, bratty storyboard version. Character & twang for miles. I'd pay to see this band. Two for a tenner? Four please.
9
Terrapin Station
April 27, 1977
Capitol Theatre

This is a very sweet Terrapin. Everyone's fired up to play it. All you need to do is watch the vid to see the pure joy this brings Garcia. Memorable.

Comments

China Cat Sunflower -> I Know You Rider
Sept. 9, 1972
Hollywood Palladium

Smooth, wheelhouse edition.
Playin' In The Band
April 7, 1972
Wembley Empire Pool

Everything in this show jumps out as the group is super tight and super excited. I love this show and this is a stone classic Playin' - wild, thrilling, and never out of control.
China Cat Sunflower -> I Know You Rider
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

There's almost a strange cautious approach at first. No rush. Then by the middle of the first break, it's a full blown talk party. It has that great springy glow indicative of Fall '73. And yeah DS67: Garcia adds rocket fuel, and everyone is FLYING. If memory serves, this entire show is a taste treat. Topic for further research.
Scarlet Begonias
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

A healthy revisit. Out of the chute: a party.
Here Comes Sunshine
March 24, 1973
The Spectrum

Lush & inviting. Yes, things got more adventurous with this song in the Fall, but this baby stands toe-to-toe. Everything is easy but also precise - they take the listener on a serious ride. + This is a pretty good example of why I love the Strat Years for Garcia - the machine allows Garcia to be surgical, but also vary the touch whenever he wants - note-to-note if he likes. Allows the group to engage in collective pointillism. This song lives on that. Dynamics crazy.