headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
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Comments

Tennessee Jed
Sept. 9, 1972
Hollywood Palladium

Right you are, DS67. I know this one - a little surprised I didn't vote for it earlier. I'm always a fan of Garcia starting the guitar break on the low E or A string - so much character (it's like a mini-narrative in the middle of the song). This one is relaxed and slurry; there's almost a bit of '76 going on in his playing. Best of both worlds?
Candyman
Nov. 2, 1977
Field House - Seneca College

A lovely C-Man, although I'm not sure I agree that Garcia's guitar break is superior to 5/28 (or 6/7 for that matter).
Dancin' in the Streets
June 11, 1976
Boston Music Hall

An invigorating constitutional. At @ 4:30, Garcia's bubbly countenance takes over. The drums go Apocalypse Now & it just works.
Estimated Prophet
May 5, 1977
New Haven Coliseum

A sweet re-visit. One of those reminders of just how good Betty Cantor-Jackson was at her gig. Beautiful recording of Estimated beautifully played. I can't imagine what one would quibble with here. Sorry - I can't imagine with what one would quibble here. True, not as intense as later versions, but lovingly rendered. And Garcia's guitar coda was never more lush, expressive, and intense than May 1977. That's where this song distinguishes itself from later editions.
Mississippi Halfstep Uptown Toodeloo
May 7, 1977
Boston Garden

agreed jchiulli - this is pretty close to Half-Step perfection. This and May 4 leap to mind as peak performances.
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