headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
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Comments

The Other One
May 2, 1970
Harpur College

A quaint re-visit - I'm not sure the Grateful Dead get better than this. There's so much here - don't even know where to start. Top underpants. Garcia is in orbit - no other way to characterize it. Makes his case re the Nobel for Holy Fuck!
Scarlet Begonias
June 17, 1976
Capitol Theater

Yes, much cowbell. But this Scarlet has all the accouterments. So subtle and detailed - might be the most fussed over period for Scarlets. Yes or no, some of the great Scarlets.
Brown Eyed Women
April 11, 1972
Newcastle City Hall

Supercharged Brown Eyed Women! I can't think of many that outstrip this whip-smart version. Siiiiiiick.
He's Gone
July 29, 1974
Capitol Center

Had me doubts about this - and I don't remember why. Super smooth and intimate. Godchaux-Weir-Lesh locked in. Gone.
Playin' In The Band
June 19, 1976
Capitol Theatre

A liquid run-through. One thing I love about '76 Playins is the spareness and detail - even with two drummers. They, in fact, add to the subtle dynamic shifts. Garcia's Clean Travis Bean floats like confetti in a swirling chasm of subconscious ovenboroughing. And
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