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Ernie5

No cholesterol.

+3668


Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.

Comments

The Other One
May 2, 1970
Harpur College

A quaint re-visit - I'm not sure the Grateful Dead get better than this. There's so much here - don't even know where to start. Top underpants. Garcia is in orbit - no other way to characterize it. Makes his case re the Nobel for Holy Fuck!
Scarlet Begonias
June 17, 1976
Capitol Theater

Yes, much cowbell. But this Scarlet has all the accouterments. So subtle and detailed - might be the most fussed over period for Scarlets. Yes or no, some of the great Scarlets.
Brown Eyed Women
April 11, 1972
Newcastle City Hall

Supercharged Brown Eyed Women! I can't think of many that outstrip this whip-smart version. Siiiiiiick.
He's Gone
July 29, 1974
Capitol Center

Had me doubts about this - and I don't remember why. Super smooth and intimate. Godchaux-Weir-Lesh locked in. Gone.
Playin' In The Band
June 19, 1976
Capitol Theatre

A liquid run-through. One thing I love about '76 Playins is the spareness and detail - even with two drummers. They, in fact, add to the subtle dynamic shifts. Garcia's Clean Travis Bean floats like confetti in a swirling chasm of subconscious ovenboroughing. And