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Ernie5

No cholesterol.

+3668


Submissions

4
Loser
July 31, 1971
Yale Bowl, Yale University

Garcia crushes the guitar break and everything else.
2
Candyman
April 1, 1980
Capitol Theatre

Warm, gooey, and dynamic.
2
Jack Straw
July 22, 1972
Paramount Northwest Theatre

Casually Regal - An Eatery
16
China Cat Sunflower -> I Know You Rider
Feb. 21, 1971
Capitol Theater

Crackling with energy. Tight as a single drummer.
5
Estimated Prophet
Sept. 28, 1977
Paramount Theatre

Garcia skipping to the lou in warm stereo ooze

Comments

Lost Sailor -> Saint of Circumstance
Oct. 10, 1982
Frost Amphitheatre

Monster show - this Lost Sailor/Saint might be the standard bearer. Played with a deft, light touch, which isn't always the case, but LS/S benefits; a lost, melancholy mood is created. That it comes out of a great Playin'>Crazy Fingers doesn't hurt any. Weir repeating words is funny & kind of cool. Seems like he's playing a character, which works like gangbusters in this instance. Never a huge Saint fan (mainly b/c it can be a huge mess), but this one cruises!
He's Gone
May 21, 1977
Lakeland Civic Center

What this version lacks in '72-'73 space program atmospherics, it makes up for in silkiness. At this stage, the band was so fully realized and cohesive, the emotional pull of this song pushes the band to investigate every corner and dark cave. The vocals are great and the dynamic shifts are effortless - no mean feat for a group w/2 drummers. That's why the May '77 run is so beloved. That and this is Godchaux's last full run of greatness. He's perfect here.
Mexicali Blues
Sept. 17, 1972
Baltimore Civic Center

Garcia in full Bakersfield flower. Love these 1972 Mexicalis.
China Cat Sunflower -> I Know You Rider
Nov. 17, 1973
Pauley Pavilion - University of California

One of those entries where Garcia practically sounds like he's edging the guitar toward steel guitar country. A stylish, full-throated rendition here.
Dark Star
April 24, 1972
Rheinhalle

Stately opening - group is playing like they have all the time in the world. And if you've ever seen picture of the inside of the Rheinhalle, you can understand the floating sensation of plying your craft in such a breathtaking environment. Why would anyone want to leave? Each little entry into something new, each transition point is subtle and earned. At about 9 minutes, Garcia and Godchaux get into a deeply entangled, emotional dialogue. Garcia's singing is top drawer: especially with the guitar doubling - sounds like two complimentary voices. Equally free and coherent/cohesive as a single piece of music - even at its most OUT, which is fairly. This is just a master class in improvisation. Lots of cool overtones in the louder points make it sound like someone's playing a synth below the rest of the band. Always cool hearing a group transcend the physical limitations of personnel - the sound field is like another player and space fucks with a listener's sense of the literal; the group is difficult to visualize as something separate from the music. Guys wearing jeans. Wow. This peak conditional collectable has a lot of votes and deserves more. Ace segue into M&MU & out. Possibly my favorite '72 Dark Star and among the very best ever. Certainly in the conversation.