headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

13
Bird Song
Feb. 21, 1971
Capitol Theater

An intimate very early Bird Song - Quartet-styled, which serves this song really well. Also: you can hear the thinking, especially between guitars.
3
Tennessee Jed
July 21, 1972
Paramount Northwest Theater

Ho-Hum: Another outstanding 1972 TJ. This gem from the sorta overlooked summer tour. Garcia aces the break, natch. Band - unconscious. Whew! at end.
6
Candyman
June 21, 1976
Tower Theater

From Garcia's cheeky intro on, this graceful cabochon throws a faint, warm light. 1976 elegance w/a sick, raw spider web guitar break.
2
Wharf Rat
March 21, 1985
Hampton Coliseum

First show - I didn't know this gem very well & after this criss-crossy version, I was hooked. Dark & murky.
3
Loser
July 21, 1972
Paramount Northwest Theater

Download Series - An intimate, casual living room Loser. Garcia coming out of the guitar break is divine. Not the actor.
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Comments

Estimated Prophet
Oct. 11, 1977
Lloyd Noble Center - University of Oklahoma

Garcia makes himself right at home during the coda - great, squooshy guitar playing. Altogether, a sweet version of Estimated.
The Other One
Feb. 11, 1969
Fillmore East

This one has everything a heavy, mindfuck early '69 Other One should have, but air-sealed into a tidy 6 minutes. Garcia and Lesh are both on absolute fire. A go-to.
Playin' In The Band
June 22, 1976
Tower Theatre

The two drummers steer this vista cruiser - Kreutzmann keeps the pulse and Hart mostly adds texture and color. When it works, it works really . . . er, good. I've really grown to appreciate '76 Playin's - they absolutely have their own game. By the mid-point, they're well into the bizarro &, of course, making it smoke.
Tennessee Jed
April 7, 1972
Wembley Empire Pool

Like everything else from 4/7 and 4/8 - dead perfect and enthralling. Garcia's break is cracked - just cuckoo.
Scarlet Begonias -> Fire On The Mountain
April 30, 1977
The Palladium

Typical silky smooth Spring 77 version. And by typical, I mean righteous. Not sure why they felt the need to segue into Good Lovin' - really ever. I actually really enjoy Garcia's break in Scarlet - his approach at this time was really unique - like he's just reading the defense, taking what they give him. No other guitarist has really ever sounded like this. And the Fire is a luxury liner.
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