headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
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Comments

Estimated Prophet
Oct. 11, 1977
Lloyd Noble Center - University of Oklahoma

Garcia makes himself right at home during the coda - great, squooshy guitar playing. Altogether, a sweet version of Estimated.
The Other One
Feb. 11, 1969
Fillmore East

This one has everything a heavy, mindfuck early '69 Other One should have, but air-sealed into a tidy 6 minutes. Garcia and Lesh are both on absolute fire. A go-to.
Playin' In The Band
June 22, 1976
Tower Theatre

The two drummers steer this vista cruiser - Kreutzmann keeps the pulse and Hart mostly adds texture and color. When it works, it works really . . . er, good. I've really grown to appreciate '76 Playin's - they absolutely have their own game. By the mid-point, they're well into the bizarro &, of course, making it smoke.
Tennessee Jed
April 7, 1972
Wembley Empire Pool

Like everything else from 4/7 and 4/8 - dead perfect and enthralling. Garcia's break is cracked - just cuckoo.
Scarlet Begonias -> Fire On The Mountain
April 30, 1977
The Palladium

Typical silky smooth Spring 77 version. And by typical, I mean righteous. Not sure why they felt the need to segue into Good Lovin' - really ever. I actually really enjoy Garcia's break in Scarlet - his approach at this time was really unique - like he's just reading the defense, taking what they give him. No other guitarist has really ever sounded like this. And the Fire is a luxury liner.
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