headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

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Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.
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Comments

Estimated Prophet
Oct. 11, 1977
Lloyd Noble Center - University of Oklahoma

Garcia makes himself right at home during the coda - great, squooshy guitar playing. Altogether, a sweet version of Estimated.
The Other One
Feb. 11, 1969
Fillmore East

This one has everything a heavy, mindfuck early '69 Other One should have, but air-sealed into a tidy 6 minutes. Garcia and Lesh are both on absolute fire. A go-to.
Playin' In The Band
June 22, 1976
Tower Theatre

The two drummers steer this vista cruiser - Kreutzmann keeps the pulse and Hart mostly adds texture and color. When it works, it works really . . . er, good. I've really grown to appreciate '76 Playin's - they absolutely have their own game. By the mid-point, they're well into the bizarro &, of course, making it smoke.
Tennessee Jed
April 7, 1972
Wembley Empire Pool

Like everything else from 4/7 and 4/8 - dead perfect and enthralling. Garcia's break is cracked - just cuckoo.
Scarlet Begonias -> Fire On The Mountain
April 30, 1977
The Palladium

Typical silky smooth Spring 77 version. And by typical, I mean righteous. Not sure why they felt the need to segue into Good Lovin' - really ever. I actually really enjoy Garcia's break in Scarlet - his approach at this time was really unique - like he's just reading the defense, taking what they give him. No other guitarist has really ever sounded like this. And the Fire is a luxury liner.
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