headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
12
Sugaree
June 18, 1976
Capitol Theatre

As much as I love May 77 Sugarees, Spring 76 is where it's at for me. Subtlety, separation, and Garcia's whispery, silver-dipped guitar breaks.
6
Candyman
April 19, 1978
Veterans Memorial Auditorium

1978: Prime weather for Candyman. This performance, like many from then, highlights the bleak world of the narrator. Garcia's break: spidery.
4
Tennessee Jed
Oct. 29, 1971
Allen Theatre

Bubbly, bratty storyboard version. Character & twang for miles. I'd pay to see this band. Two for a tenner? Four please.
9
Terrapin Station
April 27, 1977
Capitol Theatre

This is a very sweet Terrapin. Everyone's fired up to play it. All you need to do is watch the vid to see the pure joy this brings Garcia. Memorable.
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Comments

The Other One
June 24, 1970
Capitol Theatre

Late-Spring 1970 is such a sweet spot for The Other One. I'm also more familiar with the CLASSIC late show, but this is fabulous. And I dig the audience recordings from Portchester, 1970. So much top shelf listening.
The Other One
May 15, 1970
Fillmore East (Late Show)

Lesh and Garcia burst out with such abandon and force, I have to think they were just chomping at the bit during Drums. Ferocious and especially all out for an early show entry. Right around peak form for the time. Which is peak form pretty much anytime.
China Cat Sunflower -> I Know You Rider
June 22, 1974
Jai-Alai Fronton

Upon more reflection, this version sets right out in the perfect gait. Then Garcia, Godchaux, and Lesh are free to embark on a loose, easy, rpm synchronized swim. The Weir jam is one of the grooviest - the two guitars dueling, jabbing, ducking, weaving down a turquoise waterslide.
Scarlet Begonias
June 8, 1974
Coliseum Stadium

Start with Lesh's corduroy bass and let it fly from there. As Carrion said, amazing ensemble playing - intricate and virtuoso, but sounds as easy as slipping in the tub. Garcia's sweet voice. And a guitar with seemingly endless ideas -- even within a tidy 6 minutes. Garcia at his most fluid and modern. And the ending is tiiiyyyeeeettt.
Brown Eyed Women
May 26, 1977
Baltimore Civic Center

Booof! American Bandstand perfect. Garcia's flying.
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