headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
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Comments

The Other One
June 24, 1970
Capitol Theatre

Late-Spring 1970 is such a sweet spot for The Other One. I'm also more familiar with the CLASSIC late show, but this is fabulous. And I dig the audience recordings from Portchester, 1970. So much top shelf listening.
The Other One
May 15, 1970
Fillmore East (Late Show)

Lesh and Garcia burst out with such abandon and force, I have to think they were just chomping at the bit during Drums. Ferocious and especially all out for an early show entry. Right around peak form for the time. Which is peak form pretty much anytime.
China Cat Sunflower -> I Know You Rider
June 22, 1974
Jai-Alai Fronton

Upon more reflection, this version sets right out in the perfect gait. Then Garcia, Godchaux, and Lesh are free to embark on a loose, easy, rpm synchronized swim. The Weir jam is one of the grooviest - the two guitars dueling, jabbing, ducking, weaving down a turquoise waterslide.
Scarlet Begonias
June 8, 1974
Coliseum Stadium

Start with Lesh's corduroy bass and let it fly from there. As Carrion said, amazing ensemble playing - intricate and virtuoso, but sounds as easy as slipping in the tub. Garcia's sweet voice. And a guitar with seemingly endless ideas -- even within a tidy 6 minutes. Garcia at his most fluid and modern. And the ending is tiiiyyyeeeettt.
Brown Eyed Women
May 26, 1977
Baltimore Civic Center

Booof! American Bandstand perfect. Garcia's flying.
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