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Ernie5

No cholesterol.

+3673


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.

Comments

Tennessee Jed
May 1, 1977
The Palladium

That May 77 perfect feel for pace. Jaunty, beautiful audience recording of this lil' plum. Chef kiss! Find me a bad May 77 TJ. Go ahead! PS: Garcia is amazing. Just insane.
China Cat Sunflower -> I Know You Rider
June 26, 1974
Providence Civic Center

Amazing how they effortlessly slide into a full-blown introductory narrative. Makes for a unique, psychedelic China > Rider. Quietly contemplative shiz.
Help On The Way > Slipknot > Franklin's Tower
April 9, 1983
Hampton Coliseum

1983 was a renaissance year for this trifecta (see 4/26) - loads of energy and Garcia is in excellent fettle, in a bit of a fury (which is usually good news). Another Hampton success story. Saw my first shows there two years later. True story!
Brown Eyed Women
Sept. 25, 1976
Capital Centre

From our (DC's) late lamented suburban cave, a sprightly rendering with Weir's characteristic clipped, compressed, cheek-a-cheek rhythm a prime player. Although Brown-Eyed Women reached its apex in May '77, Fall '76 is not be sneezed at.
Estimated Prophet
May 18, 1977
Fox Theatre

Deserves more love! From the great Weir intro crack, through Godchaux's elegant piano playing, to Garcia floating like a butterfly in the transition to Eyes, this is pretty much letter perfect. All cylinders.