headyversion

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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
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Comments

Tennessee Jed
May 1, 1977
The Palladium

That May 77 perfect feel for pace. Jaunty, beautiful audience recording of this lil' plum. Chef kiss! Find me a bad May 77 TJ. Go ahead! PS: Garcia is amazing. Just insane.
China Cat Sunflower -> I Know You Rider
June 26, 1974
Providence Civic Center

Amazing how they effortlessly slide into a full-blown introductory narrative. Makes for a unique, psychedelic China > Rider. Quietly contemplative shiz.
Help On The Way > Slipknot > Franklin's Tower
April 9, 1983
Hampton Coliseum

1983 was a renaissance year for this trifecta (see 4/26) - loads of energy and Garcia is in excellent fettle, in a bit of a fury (which is usually good news). Another Hampton success story. Saw my first shows there two years later. True story!
Brown Eyed Women
Sept. 25, 1976
Capital Centre

From our (DC's) late lamented suburban cave, a sprightly rendering with Weir's characteristic clipped, compressed, cheek-a-cheek rhythm a prime player. Although Brown-Eyed Women reached its apex in May '77, Fall '76 is not be sneezed at.
Estimated Prophet
May 18, 1977
Fox Theatre

Deserves more love! From the great Weir intro crack, through Godchaux's elegant piano playing, to Garcia floating like a butterfly in the transition to Eyes, this is pretty much letter perfect. All cylinders.
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