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Ernie5

No cholesterol.

+3668


Submissions

4
Brown Eyed Women
Aug. 21, 1972
Berkeley Community Theater

Smooth with wicked edges in all the right places!
1
China Cat Sunflower -> I Know You Rider
July 25, 1972
Paramount Theater

Overlooked, patient little gemerald.
4
Jack Straw
March 31, 1973
War Memorial

Bright, snappy, and full of mello P&V.
2
Loser
March 24, 1971
Winterland Arena

From the opening little parlay, hooked.
3
China Cat Sunflower -> I Know You Rider
April 29, 1971
Fillmore East

This one is the sound of a band that knows it can do pretty much anything. Smooth and fiery.

Comments

Estimated Prophet
Nov. 2, 1977
Field House - Seneca College

A very crisp, high-energy Estimated that can stand with some of the redwoods from Spring '77. Garcia's coda Mu-Tron monologue is especially fluid - no need to call it a "guitar solo" because its really just a beautiful piece of improvisation, period. It's almost another lead voice taking over for Weir - a new character in the song. And this character has some darkness.
Tennessee Jed
Dec. 9, 1971
Fox Theatre

Very springy, early TJ - Godchaux is a major difference maker. His piano adds body and warmth to an otherwise wiry performance. And I say "wiry" as a positive.
Dark Star
Oct. 11, 1970
Action House

Agree w/Carrion: get past the sorta dodgy recording - (1) there are far worse; (2) this Dark Star is wide-screen. Yet another deep, dark, space age 1970 Dark Star. Super worth your time unless you just can't deal with less than crystal clear recordings (which I understand). To me, the audience lends some sense of what it was like to be there. That's irreplaceable. Wouldn't mean much if it weren't a major Dark Star. It is.
The Other One
March 3, 1971
Fillmore West

A huge fan of '71 Other Ones - and this one is a really good example. To me, it's definitely '71 in spirit, although maybe this performance carries a little bit of the '70 wildness into the proceedings. With just Kreutzmann at the helm, the group is steered into a cleaner, spacier, more jazzbo feel. I've read that they were way more into playing Other One at this point than Dark Star b/c O1 propelled them into different territory - territory they were excited about exploring. Here, Garcia, in particular, seems very happy to ride the wave and let it push/pull him into all sorts of grey, intimate places. And I love the chimey stuff @ 7:30 - Weir playing behind the nut? Almost TC/Lagin-esque. Very large version. Thanks for the rec!
Tennessee Jed
April 22, 1978
Nashville Municipal Auditorium

From the start, you can definitely hear the loving attention to storytelling in Garcia's vocal. Also: this version has a lovely bounce in its step. Playful - like the 1/22/78 version (also a fave).