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find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.

Comments

New Potato Caboose
Jan. 20, 1968
Eureka Municipal Auditorium

One of the great great versions of this gemerald. Precise, fuzzy, tiny, huge - and yeah: great organ playing by Pig. And the crazy logic of the drums makes this a psychedelic waterslide. So to speak.
The Wheel
Oct. 3, 1976
Cobo Arena

Crafty, smooth Wheel - just as one would expect from an October 1976 evening in Detroit. Spiraling Garcia Travis Bean work throughout, natch - always reaching out and up, always giving you his deluxe ideas. The jam before Good Lovin' just sweetens the deal.
Bertha
Feb. 19, 1971
Capitol Theater

A brand-spanking newly freed Kreutzmann drives this version home. Could he sound more thrilled? This one is hyper-fast, but killer and fresh.
Brown Eyed Women
June 21, 1976
Tower Theater

While, for me, May 77 is probably the zenith for this number, it's hard to find anything lacking here. Playful, bubbly, and silvery in that June 76 way. Crisp, mellow, smooth, and inviting. A treat.
Candyman
June 4, 1976
Paramount Theatre

Taken at a nice pace, but never impatient. Garcia's guitar break is, as it should be, clammy and intimate - like he's playing in his favorite chair on a warm summer evening.