headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

13
Bird Song
Feb. 21, 1971
Capitol Theater

An intimate very early Bird Song - Quartet-styled, which serves this song really well. Also: you can hear the thinking, especially between guitars.
3
Tennessee Jed
July 21, 1972
Paramount Northwest Theater

Ho-Hum: Another outstanding 1972 TJ. This gem from the sorta overlooked summer tour. Garcia aces the break, natch. Band - unconscious. Whew! at end.
6
Candyman
June 21, 1976
Tower Theater

From Garcia's cheeky intro on, this graceful cabochon throws a faint, warm light. 1976 elegance w/a sick, raw spider web guitar break.
2
Wharf Rat
March 21, 1985
Hampton Coliseum

First show - I didn't know this gem very well & after this criss-crossy version, I was hooked. Dark & murky.
3
Loser
July 21, 1972
Paramount Northwest Theater

Download Series - An intimate, casual living room Loser. Garcia coming out of the guitar break is divine. Not the actor.

Comments

Wharf Rat
Dec. 2, 1973
Music Hall

Spacious, rich Wharf Rat with one of Garcia's best vocals. The band's playing is delicate without being cautious - free, easy, and articulate. Need a ladder to reach this shelf.
Jack Straw
Jan. 15, 1979
Springfield Civic Center

Very springy Jack Straw: spirited and warm opener. Really articulate audience recording as well (and that's on my crappy work computer speakers!) - love a good audience. Note: I think this is Wolf Mk2, not yet Tiger.
Playin' In The Band
May 26, 1973
Kezar Stadium

I think Garcia started playing Wolf in 8/73, DaGood. I'm not putting that guitar down at all, but, to me, the Strat might be his best match.
Playin' In The Band
May 26, 1973
Kezar Stadium

Garcia's Strat sounds toasty. Kinda wish he's played it longer. The entire band slips easily into gear and tears into this sizzlin' version of a home-fires favorite.
The Other One
Nov. 21, 1970
Sargent Gym, Boston University

Liquid, snappy, and sneaky lysergic. Like all great GD explorations, the band effortlessly shifts between dynamics. Pouring it on when it needs to build drama, then taking a step back to consider its lovely work. Weir's vocals are urgent to great effect.