headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
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Comments

Wharf Rat
Dec. 2, 1973
Music Hall

Spacious, rich Wharf Rat with one of Garcia's best vocals. The band's playing is delicate without being cautious - free, easy, and articulate. Need a ladder to reach this shelf.
Jack Straw
Jan. 15, 1979
Springfield Civic Center

Very springy Jack Straw: spirited and warm opener. Really articulate audience recording as well (and that's on my crappy work computer speakers!) - love a good audience. Note: I think this is Wolf Mk2, not yet Tiger.
Playin' In The Band
May 26, 1973
Kezar Stadium

I think Garcia started playing Wolf in 8/73, DaGood. I'm not putting that guitar down at all, but, to me, the Strat might be his best match.
Playin' In The Band
May 26, 1973
Kezar Stadium

Garcia's Strat sounds toasty. Kinda wish he's played it longer. The entire band slips easily into gear and tears into this sizzlin' version of a home-fires favorite.
The Other One
Nov. 21, 1970
Sargent Gym, Boston University

Liquid, snappy, and sneaky lysergic. Like all great GD explorations, the band effortlessly shifts between dynamics. Pouring it on when it needs to build drama, then taking a step back to consider its lovely work. Weir's vocals are urgent to great effect.
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