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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.

Comments

Eyes Of The World
Nov. 5, 1979
The Spectrum

Perfect ambiance - throughout much of this Eyes, it's almost like the group is barely playing. Not sure I can put this up in the '73/'74 stratosphere, but it brings a charm all its own. Almost not right to compare, but I just did it, so that's water under the bridge. Delicate, thoughtful, and patient. A reminder of a mysterious and underrated year in Dead lore. Very much worth the investment of time.
Mission in the Rain
June 18, 1976
Capitol Theatre

One listen of this should put to rest any question of which band - GD or JGB - handled this gem better. As good as some Garcia Band versions of this are (and some are truly wonderful), this demonstrates a level of artistry and give/take unimaginable elsewhere.
Candyman
July 18, 1976
Orpheum Theater

Not sure how anything from this show has slipped through the cracks. But yeah - a delicate, lush Candyman with beautiful Garcia handiwork. Nice choice!
Uncle John's Band
Dec. 19, 1969
Fillmore Auditorium

Sure, it's a little tentative early on, but such a beautiful entrance by Garcia and then when the sweet vocals come in, it's a really intimate version. So tentative becomes intimate. Then it works out for everyone. It's like the story of evolution, but less math.
China Cat Sunflower -> I Know You Rider
Aug. 23, 1971
Auditorium Theatre

Quartet-styled. This one swings from Go. Lesh's bass is medicinal - can't make a bass guitar sound better than that. Just can't. And the playing is socks/underpants drawer. The crowd is semi-stunned @2:49 - delayed mania a second or two after the break. Like, OH FUCK. The transition surges with electricity - puts many better known transitions to shame, sort of. Kreutzmann is in high swang. 9.3 Best Reissue.