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find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

7
Tennessee Jed
Oct. 26, 1971
The Palestra, U. of Rochester

Jed As Tight Little Pop Song. Tight and snappy, enthusiasm for a new classic.
12
Sugaree
June 15, 1976
Beacon Theatre

Smooth, silky, and that unique silvery June '76 Garcia sound.

Comments

Playin' In The Band
Aug. 27, 1972
Old Renaissance Faire Grounds

A landmark - such a beautiful mix of restraint and abandon. And Garcia steers the whole rig. One of the GREATS.
The Other One
Dec. 30, 1969
Boston Tea Party

A psychedelic peek into 1970 - the ferocity of 1970 with a touch of the 1969 calliope. Garcia leads them into the fire pit and then allows the band to lift itself (w/him) out. Rescue rock.
Dark Star
Oct. 12, 1968
Avalon Ballroom

Let's just face it: this show & everything in it is Michelin three-star restaurant quality. A great introductory Dark Star, but also ideal for the intermediate and advanced listeners in your family.
Scarlet Begonias -> Fire On The Mountain
May 11, 1977
St. Paul Civic Center Arena

Just back in town for a revisit & man - what was I thinking waiting so long to listen to this pillow factory? Deserves to take its place next to 5/8 and 5/17 - if not as good, I'm not entirely sure what it lacks. The post-hiatus GD pretty damn near its best. + Garcia's guitar in Scarlet not as apocalyptic as Cornell, but a little smoother and more observational. His playing on the transition is just beautiful steel wire through magnet through 6L6 tubes though speaker. Where 5/8 has this one (and most others) is in the actual transition into Fire, not that there's anything lousy about this one. + @1:45 of Fire, the guitar interplay is so tight, detailed, and intimate, it doesn't even make sense that they're playing at a Civic Center. Warm, gloopy envelope filter, natch. Worth the visit or revisit. Rinse. Repeat.
Dark Star
Jan. 23, 1970
Honolulu Civic Auditorium

A cooperative, slightly chatty vibe from the beginning, this Dark Star rides a nice soft wave and opens up slowly. The listener can hear the group listen to each other and the whole song radiates patience and contemplation. + Constanten sets loose a nice coppery sheen on parts of the song and the space out section is pure Apollo in orbit. Could be from nearly anytime from 1950 to today. + Garcia's arpeggiation @ 10:00 reminds the us that this a band playing on a stage in Honolulu. Kind of. + The jam they gradually cook into is commanding and completely earned. The fundamentals of how to build something beautiful, strong, and lasting.