headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3568


Submissions

6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
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Comments

Eyes Of The World
May 22, 1977
The Sportatorium

Not really surprising that an Eyes at this particular point in time would be dreamy & iconic. Garcia is in top pointillistic form - the push and pull of aggressive and receptive. I also love that these guys could play a full arena and just let Garcia do a lengthy and beautiful soliloquy.
St. Stephen
March 20, 1977
Winterland Arena

Dave says "radical explorations" - which is true.
Lost Sailor -> Saint of Circumstance
Nov. 24, 1979
Golden Hall, Community Concourse

Probably oughta have more support. Very dynamic, controlled Lost Sailor. Rhythm section - strong. Joy and swagger to be found herein.
Althea
May 1, 1981
Hampton Coliseum

A perfect version. Garcia's vocals are superb!
Scarlet Begonias -> Fire On The Mountain
April 22, 1977
The Spectrum

Light touch from the drummers - interesting between times Scarlet. Then when things stretch out, the rubber meets the road. Or when the rubber meets the road, things stretch out. And get a little weird. And a spirited Fire.
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