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Ernie5

No cholesterol.

+3568


Submissions

3
Tennessee Jed
July 21, 1972
Paramount Northwest Theater

Ho-Hum: Another outstanding 1972 TJ. This gem from the sorta overlooked summer tour. Garcia aces the break, natch. Band - unconscious. Whew! at end.
6
Candyman
June 21, 1976
Tower Theater

From Garcia's cheeky intro on, this graceful cabochon throws a faint, warm light. 1976 elegance w/a sick, raw spider web guitar break.
2
Wharf Rat
March 21, 1985
Hampton Coliseum

First show - I didn't know this gem very well & after this criss-crossy version, I was hooked. Dark & murky.
3
Loser
July 21, 1972
Paramount Northwest Theater

Download Series - An intimate, casual living room Loser. Garcia coming out of the guitar break is divine. Not the actor.
4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.

Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Garcia launches into the stratosphere. So many ideas - from grunge to liquid. The whole group is perfectly tuned to every rise and fall. Certainly, a top 5 NFA for me - nearly unmatched intensity.
Bertha
May 13, 1972
Lille Fairgrounds

Great Bertha! How do you even choose one from this tour? Love Pig's organ. Garcia launches himself into the guitar break like Ben Johnson on steroids.
Playin' In The Band
March 21, 1972
Academy of Music

Carrion - Agreed w/your proposition. It's the beginning of the great Playin' migration. Garcia gives a wah masterclass. I love this period of Playin's - exploratory, but like 10 minutes. Tight & loose.
Scarlet Begonias
April 29, 1977
The Palladium

Wow - thanks joeshafer. How'd I miss that? Still - this audience has some umami to it.
Playin' In The Band
April 24, 1972
Rheinhalle

Methodical in construction. Builds gradually. Any one of the E72 Playin's are worthy of praise, but each has its own little something. This one has a methodical build until all hell breaks loose @5:30 - Garcia doing volume swells at the start of his wah onslaught marks this version. Kreutzmann keeps mixing things up, but never loses the groove - even when things get abstract.