headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3568


Submissions

6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.
1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
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Comments

The Other One
May 31, 1969
McArthur Court, University of Oregon

9 votes????? ||| There are versions from '89 with more votes. How does that work? On what planet? This explodes out of the paddock and screams all the way. Elite version.
Truckin'
Nov. 15, 1971
The Austin Municipal Auditorium

Tight little Truckin' - unremarkable (albeit with typical Fall '71 excellence) until Garcia takes over with some ridic undulating Strat passages. Preview to epic '72 sound.
Dancin' in the Streets
Oct. 24, 1970
Kiel Opera House

This period of Dancin' doesn't usually move the needle for me, but everyone's in sick form throughout. What a blistering opener - Lesh's bass is a lava spill.
Cumberland Blues
Nov. 20, 1971
Pauley Pavilion

Top sleeve! Great dynamic control and balls out! I don't love the Dave's mix (too much piano, not quite enough Garcia), but it's still great stuff.
The Other One
Oct. 16, 1977
Louisiana State U

I really like the cinematic quality - HEAVY. An unheralded era for this song - this one's a peach! Garcia's subtle use of the pitch shift for a short spell. The only thing I don't go for: it seques into Good Lovin' (no thanks!).
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