headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

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Submissions

6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
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Comments

Candyman
Nov. 24, 1978
Capitol Theatre

Mesmerizing. https://www.youtube.com/watch?v=_SSR9vZT66M&feature=youtu.be
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Chill/organic. Sounds like kick-ass band playing in a room. Super musical matrix. Goes down refreshing & smooth.
The Other One
April 6, 1978
Curtis Hixon Convention Center

A lengthy, tempestuous guitar exchange. Agree that this is an undervalued show. Lesh's bass sounds almost like Young Marble Giants at times. And it works altogether swell. And THEN - that sticky Spring of '78 envelope filter. Like a murky synth.
Terrapin Station
April 30, 1977
The Palladium

Smooth as silk boxers. I love the precise but soft way the Spring 77 Terrapins open. Weir's phase is cranked - to very good effect. Almost tremolo/vibrato! Everyone's on his/her game. Breathing fire in the coda. And yeah - JG just fucking cranks the volume. Man! Great Terrapin!
Uncle John's Band
Sept. 27, 1972
Stanley Theatre

Nearly letter perfect = not in a mechanical way, just feel. Kreutzmann mixes things up playfully throughout but never loses the thread.
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