headyversion

find the best versions of grateful dead songs

please login or register.

Ernie5

No cholesterol.

+3568


Submissions

6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.

Comments

The Other One
July 17, 1976
Orpheum Theatre

A rare chance to hear the 2-humbucker Bean (Bean #1) on this song - and it's as killer as you might imagine.
Scarlet Begonias -> Fire On The Mountain
May 17, 1977
Memorial Coliseum

This S>F doesn't immediately stun like 5/8/77, but it builds almost constantly. Exciting Garcia guitar break in Scarlet. Peaceful probing transition. Not the seamless glide that 5/8 has, but a lovely transition nonetheless. Things get really interesting in the Fire - Garcia's obviously relishing the envelope filter. And why on earth wouldn't he? I still think 5/8 is clearly better, but this is a gem from an insane show.
The Music Never Stopped
Feb. 3, 1978
Dane County Coliseum

Weir is supercharged! A memorable Music. Hadn't listened to this for a while and it just kicks ass so hard.
The Other One
Feb. 23, 1974
Winterland Arena

Weir, Lesh, and Garcia slug it out for a few while Godchaux and Kretuzmann focus on the pace. When the storms settle, Godchaux goes very ECM (or Glenn Gould) which provides a sophistication in sound that you wouldn't expect to be happening in this context. Very advanced Other One.
China Cat Sunflower -> I Know You Rider
Sept. 24, 1972
Palace Theatre

Love how the Dark Star sojourn sets the pace and tone of the C>R. The two Palace Theatre shows are premium shit, so it shouldn't be shocking that one of better C>Rs ever happened in this room. You know it's gonna swing b/c Garcia plays the lick with a hiccup or two. Fine China.