headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3568


Submissions

6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
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Comments

Brown Eyed Women
May 8, 1977
Barton Hall - Cornell University

Just went back to listen to 11/4/77. A fabulous BEW, but it doesn't touch this one. The band is smoother here - 11/4 is comparatively pokey. And Garcia's solo on 5/8/1977 is funny, exciting, and scorching. Really one of a kind.
The Other One
March 28, 1972
Academy of Music

Re-visit: Peak form. This song morphed as the group morphed. Such a good reflection, this song.
Jack A Roe
May 18, 1977
Fox Theatre

Top level Weir. I've always dug this arrangement. It so well reflects how smooth and lithe the group had become. This version, like so many from this time, is a joy.
Estimated Prophet
July 8, 1978
Red Rocks Amphitheatre

Not sure how I avoided/missed this lovely specimen. Weir just caresses the lyrics. I don't think this is better than May 77, which (although shorter) is the peak for me. Garcia's outros just plain sound like what being high is like. Warps in stable space. That said, this great version goes about the sublime in a very different way. Definitely more aggressive - which is cool, but not so cool for the drum duo. Hart just doesn't understand the 1. Even the chill parts are barely restrained. Creates a unique dynamic.
Playin' In The Band
April 15, 1978
William and Mary College Hall

A stately check-in. Just killer stuff all the way through. A sprightly part of a nutrient-rich breakfast.
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