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Ernie5

No cholesterol.

+3673


Submissions

9
Me and My Uncle
Nov. 17, 1971
Albuquerque Civic Auditorium

Two things: (1) the middle of a searing Other One > MAMU > Other One fest and (2) Garcia loses his mind (or mine) at the end of the solo.
6
Cryptical Envelopment
Nov. 17, 1971
Albuquerque Civic Auditorium

Drop dead gorgeous, lithe, and restaurant quality perfect.
2
Candyman
May 1, 1980
Greensboro Coliseum

Clear To Hell - Hear how a luscious Candyman absorbs a crowd in NC.
2
China Cat Sunflower -> I Know You Rider
Feb. 23, 1971
Capitol Theater

Lately I think of Port Chester. Fab 4 Alignment. Limber. Ambidextrous.
3
St. Stephen
Dec. 29, 1969
Boston Tea Party

The peak is like a merry-go-round spinning out of and back into control and then, albeit briefly, out and in of control again.

Comments

Dark Star
Jan. 2, 1970
Fillmore East (Late Show)

+1 re darkstar 67 comments. Dead on. Not much one needs to say, except of course I can't help myself. The first grab (usually Garcia) is Lesh coming at us hard with that dark chocolately Guildness. + This one, as noted, never gets complacent or self-satisfied or really even takes a breath! Some Art Ensemble of Chicago moments. Hoooofa. + Lesh sounding close to an electric bass guitar/stand up bass hybrid sound, which is sonic nirvana. + Gets Krautrock at times. This is basically 5 or 6 Dark Stars in one.
Uncle John's Band
March 19, 1977
Winterland Arena

Really nice Uncle John's Band. Best for me is still exactly 2 months later, but this is a smooooth one. Godchaux = big reason.
Dark Star
Jan. 25, 1969
Avalon Ballroom

Sparkling! And TC sounds he's playing synthesizer at times. This version very much has its own sound. And it's killer.
China Cat Sunflower -> I Know You Rider
Nov. 9, 1973
Winterland Arena

Cruncho Marx! Weir's transition is particularly fierce. He Gibsons the shit out of it. By the heat of the kick-out, Garcia's spitting fire & Kreutzmann's hugging the ride bell. Beautiful.
Estimated Prophet
Jan. 10, 1978
Shrine Auditorium

Bright & snappy out of the gate. Lesh slurs that bassline during the verses to rich effect. Garcia attacks the outro! And Godchaux pushes matter pretty hard as well.