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Ernie5

No cholesterol.

+3673


Submissions

2
Candyman
July 12, 1976
Orpheum Theater

Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.
5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.

Comments

Dark Star
Feb. 22, 1969
Dream Bowl

Transitive diamonds of . . . nightfall. Still a monumental version of Dark Star. I re-visit this one often. Likee now!
Playin' In The Band
Aug. 20, 1972
San Jose Civic Auditorium

Maybe it's the mix, but this Playin' has very much its own drowsy, dreamy constitution. This is fab for Garcia/Lesh fanatics. Not only b/c they're plenty audible, but they're in toddlin' form. Top sleeve stuff.
Brown Eyed Women
May 21, 1977
Lakeland Civic Center

Not a thing to complain about here. Smooth, dynamic, and confident. When the group gets quiet, you know they're completely in charge. Well, I do anyway.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

grendel - you might be right re: Cornell vs. other shows from that time. I only mention Cornell in particular b/c it's taking such a beating here. I just don't really understand the Cornell backlash; it's an amazing show (and I think the Scarlet is fantastic, even if it slightly pales in comparison w/possibly the best Fire ever). I first heard it in the mid-'80s and it was not, that I was aware, a "famous" show, but it stood out for me immediately. I soon realized that Spring 77 just had the goods. I still think Cornell is a jewel in the crown, but I think 5/19/77 is just as much a gem. And 5/17. And 2/26. And ...
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Killer, but better than Cornell? Not to these ears. A really good version, but the backlash bias against Cornell is puzzling to me. The Cornell version of this baby sounds tighter, smoother, and more dynamically interesting to me than this iteration. Not just Cornell, most Spring 77 versions. Here, the drums are already getting a bit flubby (a major difference for me between '76-early '77 and later is the increasing lack of nuance and swing in the drums). Garcia's guitar break in Cornell is lighter, more fluid, and has a beautiful elasticity missing here, although this break has more of a peak. And Godchaux on electric piano in this song just doesn't make it for me.