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Ernie5

No cholesterol.

+3673


Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
3
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.

Comments

Dark Star
Feb. 22, 1969
Dream Bowl

Transitive diamonds of . . . nightfall. Still a monumental version of Dark Star. I re-visit this one often. Likee now!
Playin' In The Band
Aug. 20, 1972
San Jose Civic Auditorium

Maybe it's the mix, but this Playin' has very much its own drowsy, dreamy constitution. This is fab for Garcia/Lesh fanatics. Not only b/c they're plenty audible, but they're in toddlin' form. Top sleeve stuff.
Brown Eyed Women
May 21, 1977
Lakeland Civic Center

Not a thing to complain about here. Smooth, dynamic, and confident. When the group gets quiet, you know they're completely in charge. Well, I do anyway.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

grendel - you might be right re: Cornell vs. other shows from that time. I only mention Cornell in particular b/c it's taking such a beating here. I just don't really understand the Cornell backlash; it's an amazing show (and I think the Scarlet is fantastic, even if it slightly pales in comparison w/possibly the best Fire ever). I first heard it in the mid-'80s and it was not, that I was aware, a "famous" show, but it stood out for me immediately. I soon realized that Spring 77 just had the goods. I still think Cornell is a jewel in the crown, but I think 5/19/77 is just as much a gem. And 5/17. And 2/26. And ...
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Killer, but better than Cornell? Not to these ears. A really good version, but the backlash bias against Cornell is puzzling to me. The Cornell version of this baby sounds tighter, smoother, and more dynamically interesting to me than this iteration. Not just Cornell, most Spring 77 versions. Here, the drums are already getting a bit flubby (a major difference for me between '76-early '77 and later is the increasing lack of nuance and swing in the drums). Garcia's guitar break in Cornell is lighter, more fluid, and has a beautiful elasticity missing here, although this break has more of a peak. And Godchaux on electric piano in this song just doesn't make it for me.