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find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.

Comments

Dark Star
April 27, 1969
Labor Temple

Great revisit - hallucinogenic from the start/falls immediately into a downey soft groove and gently (but firmly) pushes outward.
Scarlet Begonias
June 9, 1976
Boston Music Hall

Full mastery right here. How do you handle dynamics in a complex, up-tempo song? Listen & learn. Garcia with the spirited vocals (at least when the words come to mind). In the coda, he forgets nothing. Crackin'.
Samson and Delilah
Oct. 9, 1976
Oakland-Alameda County Coliseum Stadium

I, for many a moon, believed that the best of this song was from May 1977. Now, given Garcia’s silky smooth clean runs and the precision of the group overall, I must reconsider. Pretty fucking perfect.
China Cat Sunflower -> I Know You Rider
March 24, 1973
The Spectrum

Chill verging on bravado. Kreutzmann's transition into the second verse is the stuff of legend. Swingin' legend. Such a beautiful, dynamic rendition of a fave (around these parts).
Scarlet Begonias
July 19, 1974
Selland Arena

This Scarlet jumps out of its skin from the very beginning. Lesh's playing is just out of this world - all over the place but totally coherent and coordinating. Cruising into the 4 minute mark, it's a sweet, smooth, tight-as-a-drum Scarlet with plenty of mustard. Then Garcia takes over like even he doesn't often do. Top sleeve material you got here. And a gorgeous Dave's 17.