headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

4
The Other One
Feb. 28, 1970
Family Dog at the Great Highway

Oversight Alert! Conversational then a violent row ensues. A total taste treat. 1970.
7
China Cat Sunflower -> I Know You Rider
March 21, 1985
Hampton Coliseum

Voice shot, Garcia hums through his spidery 13 lb. guitar. With a lovely China Cat peak @4:30.
13
Tennessee Jed
March 19, 1977
Winterland Arena

(a) Garcia with aluminum pipe, (b) Purdie Shuffle '77 Pace, (c) Perfect Dynamic Control
7
Sugaree
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

As a queen sits down, knowing that a chair will be there,/ Or a general raises his hand and is given the field-glasses
3
Big River
Dec. 4, 1973
Cincinnati Gardens

Dictionary entry: 1973 Big River - effortless & downstream. Exhibit A.
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Comments

The Other One
April 17, 1969
Washington U.

April '69 Other One. Bracing, a little violent. It isn't long before they're speaking in tongues. Garcia is all endless ideas thrown into the air like chalk out of LeBron's hands pre-game.
Me and My Uncle
Aug. 14, 1971
Berkeley Community Theater

Lesh sounds he's playing a living room set -- such a woody, rich, lush, mediciney electric bass sound. The whole band just cooks on this one. Should have more votes.
Mister Charlie
Aug. 14, 1971
Berkeley Community Theater

High energy. Pig in great form. Garcia down and dirty with the Les Paul. Winner!
Uncle John's Band
Aug. 14, 1971
Berkeley Community Theater

These two Berkeley shows are amazing. This is one of the most joyous, cleanest UJBs I've heard. Fab stuff!
The Other One
April 5, 1971
Manhattan Center

Classic less-is-more Dead: basically a rock quartet at this time, but Pig is delivering the groceries with his organ comps. Lots of delicious open space filled selectively, thoughtfully - with grace & attitude. Garcia's in the middle of becoming his next great version, but he's very much in close contact with his former psychedelic bad self. And still in a more or less Gibson world. Kreutzmann points towards the rhythmic freedom and dynamic flexibility of the next few years. Cheers to that.
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