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find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
3
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.

Comments

The Other One
April 17, 1969
Washington U.

April '69 Other One. Bracing, a little violent. It isn't long before they're speaking in tongues. Garcia is all endless ideas thrown into the air like chalk out of LeBron's hands pre-game.
Me and My Uncle
Aug. 14, 1971
Berkeley Community Theater

Lesh sounds he's playing a living room set -- such a woody, rich, lush, mediciney electric bass sound. The whole band just cooks on this one. Should have more votes.
Mister Charlie
Aug. 14, 1971
Berkeley Community Theater

High energy. Pig in great form. Garcia down and dirty with the Les Paul. Winner!
Uncle John's Band
Aug. 14, 1971
Berkeley Community Theater

These two Berkeley shows are amazing. This is one of the most joyous, cleanest UJBs I've heard. Fab stuff!
The Other One
April 5, 1971
Manhattan Center

Classic less-is-more Dead: basically a rock quartet at this time, but Pig is delivering the groceries with his organ comps. Lots of delicious open space filled selectively, thoughtfully - with grace & attitude. Garcia's in the middle of becoming his next great version, but he's very much in close contact with his former psychedelic bad self. And still in a more or less Gibson world. Kreutzmann points towards the rhythmic freedom and dynamic flexibility of the next few years. Cheers to that.