headyversion

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Ernie5

No cholesterol.

+3673


Submissions

9
Me and My Uncle
Nov. 17, 1971
Albuquerque Civic Auditorium

Two things: (1) the middle of a searing Other One > MAMU > Other One fest and (2) Garcia loses his mind (or mine) at the end of the solo.
6
Cryptical Envelopment
Nov. 17, 1971
Albuquerque Civic Auditorium

Drop dead gorgeous, lithe, and restaurant quality perfect.
2
Candyman
May 1, 1980
Greensboro Coliseum

Clear To Hell - Hear how a luscious Candyman absorbs a crowd in NC.
2
China Cat Sunflower -> I Know You Rider
Feb. 23, 1971
Capitol Theater

Lately I think of Port Chester. Fab 4 Alignment. Limber. Ambidextrous.
3
St. Stephen
Dec. 29, 1969
Boston Tea Party

The peak is like a merry-go-round spinning out of and back into control and then, albeit briefly, out and in of control again.
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Comments

China Cat Sunflower -> I Know You Rider
Sept. 9, 1972
Hollywood Palladium

Smooth, wheelhouse edition.
Playin' In The Band
April 7, 1972
Wembley Empire Pool

Everything in this show jumps out as the group is super tight and super excited. I love this show and this is a stone classic Playin' - wild, thrilling, and never out of control.
China Cat Sunflower -> I Know You Rider
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

There's almost a strange cautious approach at first. No rush. Then by the middle of the first break, it's a full blown talk party. It has that great springy glow indicative of Fall '73. And yeah DS67: Garcia adds rocket fuel, and everyone is FLYING. If memory serves, this entire show is a taste treat. Topic for further research.
Scarlet Begonias
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

A healthy revisit. Out of the chute: a party.
Here Comes Sunshine
March 24, 1973
The Spectrum

Lush & inviting. Yes, things got more adventurous with this song in the Fall, but this baby stands toe-to-toe. Everything is easy but also precise - they take the listener on a serious ride. + This is a pretty good example of why I love the Strat Years for Garcia - the machine allows Garcia to be surgical, but also vary the touch whenever he wants - note-to-note if he likes. Allows the group to engage in collective pointillism. This song lives on that. Dynamics crazy.
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