Spare, almost vulnerable take on this classic. Godchaux brings the church and Garcia brings the stained glass. An American beauty.

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.

This one has some cool moments, but it's sooooo fast - takes most of the swing out of it. There are points where the drummers lose the thread or go into a rather homely shuffle b/c the pace is so breakneck. And I have an issue with so many '78 Scarlets b/c Garcia always seems (as he does here) to forget the verse after the bridge and go directly into the guitar break. For whatever reason, that irks. Somewhat indicative to some of the sloppiness that crept in @ late-77/78. I just don't believe this compares at all to any May '77 versions, which are models of both heat and precision. Not an awful version by any means - some of it's great, but #2 on the list? That's just insane to me.

Beautiful work here. Lesh, in particular, sounds imbedded. The outro jam is a stunner.

What a St. Stephen should be.

They use this thrust to get them over the ocean. Assured, brash, model version. Great pace and totally in control. And yeah - Garcia's Strat.

Like seemingly everything from this show, this is a Cutty Sark beast. A song that doesn't always come off live (this spans most of their career for me, much as I love this song) the 5/19 Fox version hits all the targets. Lesh dots all the eyes and crosses all the teez. Kruetzmann is just swinging. This is one of the all-time great sets. Ever.