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Ernie5

No cholesterol.

+3568


Submissions

5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
1
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.

Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Garcia launches into the stratosphere. So many ideas - from grunge to liquid. The whole group is perfectly tuned to every rise and fall. Certainly, a top 5 NFA for me - nearly unmatched intensity.
Bertha
May 13, 1972
Lille Fairgrounds

Great Bertha! How do you even choose one from this tour? Love Pig's organ. Garcia launches himself into the guitar break like Ben Johnson on steroids.
Playin' In The Band
March 21, 1972
Academy of Music

Carrion - Agreed w/your proposition. It's the beginning of the great Playin' migration. Garcia gives a wah masterclass. I love this period of Playin's - exploratory, but like 10 minutes. Tight & loose.
Scarlet Begonias
April 29, 1977
The Palladium

Wow - thanks joeshafer. How'd I miss that? Still - this audience has some umami to it.
Playin' In The Band
April 24, 1972
Rheinhalle

Methodical in construction. Builds gradually. Any one of the E72 Playin's are worthy of praise, but each has its own little something. This one has a methodical build until all hell breaks loose @5:30 - Garcia doing volume swells at the start of his wah onslaught marks this version. Kreutzmann keeps mixing things up, but never loses the groove - even when things get abstract.