headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

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Submissions

5
Estimated Prophet
Jan. 30, 1978
Uptown Theater

You can hear the swagger in their mutterings before they play. And the performance bears that out. Sure, smooth, and effortless.
1
It Must Have Been The Roses
Aug. 4, 1974
Philadelphia Civic Center

Letter perfect - the Godchauxs take this to a loftier level. Beautiful dynamic push-and-pull by the whole group.
3
Tennessee Jed
May 25, 1972
Strand Lyceum

Planting the Flag of Civilization on this tight scorcher. New from factory - Inspector #9. Under penalty of law, this tag may not be YEAH GARCIA!
5
Candyman
Jan. 31, 1978
Uptown Theater

Dreamy, motionless rendition on a sea of individual human reactions [audience tape]. A wonderful time for this gem.
1
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
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Comments

Candyman
Nov. 24, 1978
Capitol Theatre

Mesmerizing. https://www.youtube.com/watch?v=_SSR9vZT66M&feature=youtu.be
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Chill/organic. Sounds like kick-ass band playing in a room. Super musical matrix. Goes down refreshing & smooth.
The Other One
April 6, 1978
Curtis Hixon Convention Center

A lengthy, tempestuous guitar exchange. Agree that this is an undervalued show. Lesh's bass sounds almost like Young Marble Giants at times. And it works altogether swell. And THEN - that sticky Spring of '78 envelope filter. Like a murky synth.
Terrapin Station
April 30, 1977
The Palladium

Smooth as silk boxers. I love the precise but soft way the Spring 77 Terrapins open. Weir's phase is cranked - to very good effect. Almost tremolo/vibrato! Everyone's on his/her game. Breathing fire in the coda. And yeah - JG just fucking cranks the volume. Man! Great Terrapin!
Uncle John's Band
Sept. 27, 1972
Stanley Theatre

Nearly letter perfect = not in a mechanical way, just feel. Kreutzmann mixes things up playfully throughout but never loses the thread.
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