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Ernie5

No cholesterol.

+3668


Submissions

1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
12
Sugaree
June 18, 1976
Capitol Theatre

As much as I love May 77 Sugarees, Spring 76 is where it's at for me. Subtlety, separation, and Garcia's whispery, silver-dipped guitar breaks.
6
Candyman
April 19, 1978
Veterans Memorial Auditorium

1978: Prime weather for Candyman. This performance, like many from then, highlights the bleak world of the narrator. Garcia's break: spidery.
4
Tennessee Jed
Oct. 29, 1971
Allen Theatre

Bubbly, bratty storyboard version. Character & twang for miles. I'd pay to see this band. Two for a tenner? Four please.
9
Terrapin Station
April 27, 1977
Capitol Theatre

This is a very sweet Terrapin. Everyone's fired up to play it. All you need to do is watch the vid to see the pure joy this brings Garcia. Memorable.

Comments

Candyman
Nov. 24, 1978
Capitol Theatre

Mesmerizing. https://www.youtube.com/watch?v=_SSR9vZT66M&feature=youtu.be
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Chill/organic. Sounds like kick-ass band playing in a room. Super musical matrix. Goes down refreshing & smooth.
The Other One
April 6, 1978
Curtis Hixon Convention Center

A lengthy, tempestuous guitar exchange. Agree that this is an undervalued show. Lesh's bass sounds almost like Young Marble Giants at times. And it works altogether swell. And THEN - that sticky Spring of '78 envelope filter. Like a murky synth.
Terrapin Station
April 30, 1977
The Palladium

Smooth as silk boxers. I love the precise but soft way the Spring 77 Terrapins open. Weir's phase is cranked - to very good effect. Almost tremolo/vibrato! Everyone's on his/her game. Breathing fire in the coda. And yeah - JG just fucking cranks the volume. Man! Great Terrapin!
Uncle John's Band
Sept. 27, 1972
Stanley Theatre

Nearly letter perfect = not in a mechanical way, just feel. Kreutzmann mixes things up playfully throughout but never loses the thread.