headyversion

find the best versions of grateful dead songs

please login or register.

Ernie5

No cholesterol.

+3568


Submissions

6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.
1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
show more submissions

Comments

The Other One
July 17, 1976
Orpheum Theatre

A rare chance to hear the 2-humbucker Bean (Bean #1) on this song - and it's as killer as you might imagine.
Scarlet Begonias -> Fire On The Mountain
May 17, 1977
Memorial Coliseum

This S>F doesn't immediately stun like 5/8/77, but it builds almost constantly. Exciting Garcia guitar break in Scarlet. Peaceful probing transition. Not the seamless glide that 5/8 has, but a lovely transition nonetheless. Things get really interesting in the Fire - Garcia's obviously relishing the envelope filter. And why on earth wouldn't he? I still think 5/8 is clearly better, but this is a gem from an insane show.
The Music Never Stopped
Feb. 3, 1978
Dane County Coliseum

Weir is supercharged! A memorable Music. Hadn't listened to this for a while and it just kicks ass so hard.
The Other One
Feb. 23, 1974
Winterland Arena

Weir, Lesh, and Garcia slug it out for a few while Godchaux and Kretuzmann focus on the pace. When the storms settle, Godchaux goes very ECM (or Glenn Gould) which provides a sophistication in sound that you wouldn't expect to be happening in this context. Very advanced Other One.
China Cat Sunflower -> I Know You Rider
Sept. 24, 1972
Palace Theatre

Love how the Dark Star sojourn sets the pace and tone of the C>R. The two Palace Theatre shows are premium shit, so it shouldn't be shocking that one of better C>Rs ever happened in this room. You know it's gonna swing b/c Garcia plays the lick with a hiccup or two. Fine China.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)