headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

4
Ship of Fools
Oct. 18, 1978
Winterland Arena

An especially sharp and spirited specimen - expressive vocals, the rhythm section is precise, and Garcia's guitar break is masterful. A still life.
6
Tennessee Jed
Oct. 1, 1977
Paramount Theatre

Energetic, serene AND Garcia's break is pure ragtime gold. In a good TJ, the guitar is a character. Here: a little insolent. Quality.
2
The Wheel
June 28, 1976
Auditorium Theatre

That spacious, unadorned June 1976 sound is so perfect for The Wheel. This one's dynamic and delivered with feeling. Cool show.
2
Cumberland Blues
March 20, 1971
University of Iowa

Oh man: LISTEN! Vocals are mixed a bit high, but this Cumberland has all the important "little" details. Notes the quotes. B'AM!!!!
1
Tennessee Jed
July 12, 1976
Orpheum Theater

1976: Your standard issue tipsy, warm-hearted TJ of the period. The guitar break is more conversation than guitar solo. Standard but special.
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Comments

Playin' In The Band
Nov. 19, 1972
Hofheinz Pavilion

Nice reviz! This one's a real bubbler. Great drive! Classic.
Bertha
May 26, 1977
Baltimore Civic Center

Smooth and jaunty from the bounce. I think it's clear from the first verse that every moment of this song is going to have something $$$$ about it. Of course, it comes as no surprise that Garcia's guitar break is aqua velva liquid love. Patient, assertive, and cooing. Weir earns a big gold star, too. Yes, an elite Bertha. As stealmyface says has everything you want.
Scarlet Begonias -> Fire On The Mountain
Oct. 16, 1977
Louisiana State U

Weir and Lesh mixed up pretty high and HUZZAH to that! Not at anyone's expense, see. Sounds fucking great! The Scarlet: an intense, self-propelled rocketship a la May, same year. Garcia really just rides the wave. Takes what the defense gives him. + Full-bodied, swinging, and dynamic. A patient group. And someone mentioned this: just the right touch of Donna Jean. An asset. This is a top version. + Fire: Garcia full goo on the envelope. A worthy personal mission, grendel.
Estimated Prophet
Feb. 3, 1978
Dane County Coliseum

I actually like the concision of the 1977 guitar breaks - sets the listener up for the dope extended outro. Not to be taken as a complaint about this iteration.
The Other One
March 19, 1973
Nassau Coliseum

Sounds killer to me! No heavy perfumes, no CGI, just miraculous interweaving shit. A very underrated Other One. In my book.
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