headyversion

find the best versions of grateful dead songs

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FreedomHaul

Grateful Novice

+17074


Submissions

4
Terrapin Station
May 17, 1978
Uptown Theater

Well played, and cool > in from the preceding "Space."
6
Dancin' in the Streets
May 17, 1978
Uptown Theater

Fastest version I’ve ever heard. Bobby: “what Motor City?” quip mid-song.
7
Friend of the Devil
May 17, 1978
Uptown Theater

Odd placement as second song in second set, but benefits from solid Garcia thoughout.
2
Me and My Uncle
May 17, 1978
Uptown Theater

Great mix of country-rock and disco Dead. Jerry’s accompaniment helps make this one. > into a good “Big River” featuring Keith especially.
4
It Must Have Been The Roses
May 17, 1978
Uptown Theater

nice shuffle vibe. Beautiful flowing guitar from Garcia.
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Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).
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