headyversion

find the best versions of grateful dead songs

please login or register.

FreedomHaul

Grateful Novice

+17689


Submissions

21
Passenger
Nov. 6, 1977
Broome County Arena

I usually don't care about this song, but this is a superior take. Highlights are the ripping solo and agreeable vocals throughout.
10
Candyman
June 24, 1970
Capitol Theatre

The reason we all love 1970 and the two set acoustic/electric format. Don't miss the NRPS set from this night either!
5
Let Me In
June 24, 1970
Capitol Theatre

Rare, gut-wrenching ballad.
5
Dire Wolf
June 24, 1970
Capitol Theatre

Opening of a very famous show. It's like you're in the balcony with the AUD.
6
Me and My Uncle
June 24, 1970
Capitol Theatre

The link between the stellar NFA>Wind and famous following sequence.

Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).