headyversion

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FreedomHaul

Grateful Novice

+17689


Submissions

13
Big Railroad Blues
July 31, 1971
Yale Bowl, Yale University

Road Trips Vol. 1 No. 3
3
The Other One
Jan. 11, 1979
Nassau Coliseum

Don't think it's great on it's own, but nice part of Estimated>He's Gone>D>S>Truckin'>TOO>Stella sequence.
4
Ship of Fools
Jan. 11, 1979
Nassau Coliseum

I think this version works best when Keith is adding color to it, and he sounds nice here.
4
Ramble On Rose
Jan. 11, 1979
Nassau Coliseum

“Rose” has that nice shuffle-boogie I love so much (I think they nail the tempo). Listen to the crowd explode when he hits the “just like NYC” line!
4
New Minglewood Blues
Jan. 11, 1979
Nassau Coliseum

Why should you give a whiz about another version of Minglewood?
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Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).
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