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find the best versions of grateful dead songs

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FreedomHaul

Grateful Novice

+17689


Submissions

11
Tennessee Jed
June 4, 1978
Campus Stadium - University Of California

Jerry's voice is shot, but his tone is DIALED.
1
Throwing Stones
Aug. 24, 1994
Berkeley Community Theatre

Technically Phil & Friends, but this is a nice (only?) acoustic version. Link: https://archive.org/details/1994-09-24.paf.sbd.zelner-vernon
5
Childhood's End
Sept. 24, 1994
Berkeley Community Theatre

Technically Phil and Friends, but this is a nice acoustic version with Jerry. Link here: https://archive.org/details/1994-09-24.paf.sbd.zelner-vernon
2
Childhood's End
Aug. 1, 1994
The Palace

Nice version from Jerry's birthday.
2
They Love Each Other
Dec. 31, 1980
Oakland Auditorium

Gets off to a rocky start, but Brent takes a nice solo.
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Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).
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