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FreedomHaul

Grateful Novice

+17694


Submissions

3
Sugaree
Dec. 30, 1978
Pauley Pavilion

The band is tight and Jerry doesn't miss a beat. Seems like he's surfing with his guitar lines.
6
Jack Straw
Dec. 30, 1978
Pauley Pavilion

"We used to play for silver, now we play for Clive . . ."
4
China Cat Sunflower -> I Know You Rider
Dec. 2, 1981
Assembly Hall

I think Jerry's working ideas out in new places in the fretboard during the "China" solo, and Brent is contributing some interesting colors.
6
Tennessee Jed
June 4, 1977
The Forum

Nice slow shuffle, and Jerry's playing is quite melodic. But he brings the heat at the end (with some help from Keith).
3
He's Gone
May 22, 1982
Greek Theatre - University of California

Some nice playing from Jerry in the solos and transition.
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Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).
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