headyversion

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FreedomHaul

Grateful Novice

+17699


Submissions

13
Big Railroad Blues
July 31, 1971
Yale Bowl, Yale University

Road Trips Vol. 1 No. 3
3
The Other One
Jan. 11, 1979
Nassau Coliseum

Don't think it's great on it's own, but nice part of Estimated>He's Gone>D>S>Truckin'>TOO>Stella sequence.
4
Ship of Fools
Jan. 11, 1979
Nassau Coliseum

I think this version works best when Keith is adding color to it, and he sounds nice here.
4
Ramble On Rose
Jan. 11, 1979
Nassau Coliseum

“Rose” has that nice shuffle-boogie I love so much (I think they nail the tempo). Listen to the crowd explode when he hits the “just like NYC” line!
4
New Minglewood Blues
Jan. 11, 1979
Nassau Coliseum

Why should you give a whiz about another version of Minglewood?
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Comments

Help On The Way > Slipknot > Franklin's Tower
Sept. 19, 1990
Madison Square Garden

Anyone who gives this a serious listen and doesn't love it can tell me the next three full shows I will listen to. Oh, won't you come listen to Jerry boogie?
Help On The Way > Slipknot > Franklin's Tower
Sept. 19, 1990
Madison Square Garden

It's exploratory, it's blissful, and the whole set ranges from what I love about his playing with Legion of Mary and the JGB to the harder edge of the later stuff. And if you have the AUD, you can hear the sound bounce around MSG like the best natural reverb/delay ever, and it's trippy.
Help On The Way > Slipknot > Franklin's Tower
Sept. 19, 1990
Madison Square Garden

Then they hit another verse, slow down some, find another groove, and do it again. And again. And again. There's a great AUD from the 90s, which means the sound is quite frankly better than some of the early tapes, which can be nice.
Help On The Way > Slipknot > Franklin's Tower
Sept. 19, 1990
Madison Square Garden

Absolutely! How is this not higher?!?!?! The tempo on the "Help > Slip" is a little slower because of the new keyboard players (and one of them is Hornsby!). This just helps Jerry stay in the pocket the entire time, and the band boogies. The "Franklin's" is nothing but smiles. The band is SO tight, and Jerry is in so deep rhythmically that everything is flowing. I love his blissed out major pentatonic jamming from any era, and Hornsby has the chops to play off him when the tempo speeds up and it gets away from him.
Standing On The Moon
April 1, 1995
Pyramid Arena

Thanks for the reply. I've been spending a lot of time in the mid- to late-70s, so the sound of late 90s Dead doesn't do it for me. Still not a fan of this version, but I will check out some more early 90s stuff.
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