headyversion

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MrMystery

Dead on arrival

+2490


Submissions

2
New Minglewood Blues
May 13, 1978
The Spectrum

Love how Jerry starts his first solo. The rest is great too. His playing is easy and free.
1
Promised Land
Jan. 7, 1978
Golden Hall

Burning hot.
1
El Paso
Jan. 7, 1978
Golden Hall

Intense dynamics and drama. Phil and Jerry are brilliant.
5
Feel Like A Stranger
Dec. 30, 1982
Oakland Auditorium

Great playing by Bobby, Jerry and Brent in the jam
3
Candyman
Dec. 26, 1982
Oakland Auditorium

Jerry sounds tired and pained here, which of course is perfect. For some reason he usually doesn't nail the solo in this tune but he does here.
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Comments

Supplication
June 27, 1985
SPAC

Very interesting Supplication jam. Jerry wants to play Lazy Lightning and repeatedly goes into the opening riff. Bob clearly does not. The friction is fascinating. Phil bridges the gap.
Sugaree
Oct. 15, 1984
Civic Center

This is one of those angry Jerry performances that occurred so often in the '80s. He really burns it up.
When I Paint My Masterpiece
June 17, 1991
Giants Stadium

Bobby's vox are particularly good
The Other One
April 24, 1984
Veterans' Memorial Coliseum

1984 is an underappreciated year. This Other One is awesome. Phil is all over the place. Builds up to a dark, powerful peak
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

There is no perfect Scarlet-Fire and that's why the Dead are the Dead. However, this one is the best. For me there are three reasons: Mickey's three-beat drum roll signaling the beginning of the tune in dramatic, emphatic fashion; Phil's slides in the intro and playing throughout; and Jerry's first solo in Fire. In particular, everything from 15:41 to the end of the solo, 17:02. I've listened to many, many, many hours of Grateful Dead music and the epitome of Jerry as a player are in that not-quite minute and a half. In my opinion.
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