headyversion

find the best versions of grateful dead songs

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NW05

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Submissions

1
Tennessee Jed
Sept. 10, 1983
Downs of Santa Fe

‘83 Jeds are always wonderful, and this is no exception
1
Beat it on Down The Line
Sept. 10, 1983
Downs of Santa Fe

Super high energy coming out of Big Railroad Blues, great playing all around, especially Phil and Jer
1
New Minglewood Blues
Sept. 10, 1983
Downs of Santa Fe

Super energetic with a great noisy Bob solo
1
Man Smart, Woman Smarter
Sept. 10, 1983
Downs of Santa Fe

Great version with some great banter from Bob: “If it’s any comfort to anyone, in 1890 in Cairo, Illinois, it rained fish
1
Big Railroad Blues
Sept. 10, 1983
Downs of Santa Fe

Much like 9/2/83, this one is just rippin’ and goes on and on
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Comments

Help on the Way
Sept. 28, 1975
Lindley Meadows, Golden Gate Park

I love the small extended Phil solos in the beginning of these early versions of Slipknot. 9/27/76 has one of those too.
Uncle John's Band
Dec. 26, 1979
Oakland Auditorium

Welcome to the bus man! This is a great UJB, especially for it being Brent’s first year with the band. @dsrkstar67’s rec. of 5/19/77 is great. That whole show is something else too, one of the best. 3/18/77, 6/23/74, and 6/17/91 are my favorites, but most are great if not incredible.
New Minglewood Blues
April 25, 1977
Capitol Theater

I don’t have the vinyl release, but from the Archive sources I’ve heard of the Minglewood, the first 15 or so seconds sound eerily close to Cornell. Even Bob’s voice cracks when counting off like on Cornell. Makes those rumors about Cornell never happening seem to maybe have an ounce of truth ;)
Sugar Magnolia
May 5, 1977
New Haven Coliseum

Love the half-time feel of this version. Jerry’s tone is luscious and the solos are something else. Sadly there’s a cut on the Charlie Miller source, but there are soundboard sources that have it patched. Still good stuff tho
Pretty Peggy O
May 25, 1977
The Mosque

This version feels extra beautiful but also extra dark and sinister. Especially in Jerry’s vocals. He sounds like he would actually “destroy all the people in the area-o” when he delivers that line. The solos are beautiful as well. Top notch, good stuff
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