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find the best versions of grateful dead songs

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1
Tennessee Jed
Sept. 10, 1983
Downs of Santa Fe

‘83 Jeds are always wonderful, and this is no exception
1
Beat it on Down The Line
Sept. 10, 1983
Downs of Santa Fe

Super high energy coming out of Big Railroad Blues, great playing all around, especially Phil and Jer
1
New Minglewood Blues
Sept. 10, 1983
Downs of Santa Fe

Super energetic with a great noisy Bob solo
1
Man Smart, Woman Smarter
Sept. 10, 1983
Downs of Santa Fe

Great version with some great banter from Bob: “If it’s any comfort to anyone, in 1890 in Cairo, Illinois, it rained fish
1
Big Railroad Blues
Sept. 10, 1983
Downs of Santa Fe

Much like 9/2/83, this one is just rippin’ and goes on and on

Comments

Uncle John's Band
May 19, 1977
Fox Theatre

Love the backwards into the this UJB. This and the whole second set is a Jerry lover’s set. A Ramble On Rose, Terrapin, UJB, Wheel, and China Doll in one set!? Insane
Sugaree
Oct. 18, 1974
Winterland Arena

This one seems to go kinda under the radar, but it’s one of the best. The playing on it is sublime, and Jerry’s vocals are extra emotive and sad. It feels like he’s playing and singing like it was the last time they would ever play it. Just incredible
Help On The Way > Slipknot > Franklin's Tower
Sept. 27, 1976
Community War Memorial Auditorium

The intro to Slipknot! is played so fast but so tight and in the groove, it’s insane. Like almost ‘83 fast but with the smooth, tight goodness of 76-77.
Dark Star
Oct. 31, 1991
Oakland-Alameda County Coliseum

I’ve been listening to this one a lot lately, and it’s soul-wrenching. As for the playing, this is the second best DS, coming up short to 6/17. As for Ken Kesey’s rap about Bill, it’s powerful. You can feels his and the bands emotions, and his story about Brokedown Palace is gut-wrenching. It’s truly an all-time versions. “How do you like your blue-eyed boy now, Mr. Death?”
Scarlet Begonias -> Fire On The Mountain
May 21, 1977
Lakeland Civic Center

The groove on this one is just too good. They take it extra slow, which provides for an extra tightness and groove. I’ve gotta know what Bob’s doing towards the end of the first solo in Fire. It’s incredible